Gordon
Pym' than by any two or three of his other stories."
I expressed surprise at this avowal; and my comments on what appeared to
me to show a peculiar taste implied a desire for explanation. He
continued:
"Although 'The Narrative of A. Gordon Pym' has served as a suggestion,
or even a pattern, for some of our best recent stories of adventure, and
although it has many points of excellence in itself, it is not the story
alone, but the opportunity which the story affords of an analysis of
Poe's mind, that creates the greater interest for me. I have always been
puzzled to find a reasonably adequate cause for the incomplete state of
that narrative. The supposition that Poe had not at his disposal, at the
moment he required it, the necessary time for its completion is an
hypothesis which I only mention to dispose of. At its close he wrote and
added to the narrative a 'Note' of nearly a thousand words; and in the
time required for the penning of that addition, he could have brought
the story to--perhaps an abrupt, but still, an artistic close. No. Then
did Poe not complete 'The Narrative of A. Gordon Pym' because his
imagination failed him--failed to supply material of such a quality as
his refined and faultless taste demanded? If so, then why did he begin
it? Why write more than sixty thousand words in his usual careful and
precise style, on a subject to him little known, in to him a new field
of literary effort? He could in the time required to write 'The
Narrative of A.
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