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Cooper, James Fenimore, 1789-1851

"The Bravo"

To descend to the steps, to
leap into the boat, to utter the word "Rialto," and to conceal herself
in the pavilion, was the business of a minute. The boat was instantly in
motion.
Gelsomina now believed herself secure of effecting her purpose, since
there was little to apprehend from the knowledge or the designs of a
common boatman. He could not know her object, and it was his interest to
carry her in safety to the place she had commanded. But so important was
success, that she could not feel secure of attaining it while it was
still unaccomplished. She soon summoned sufficient resolution to look
out at the palaces and boats they were passing, and she felt the
refreshing air of the canal revive her courage. Then turning with a
sensitive distrust to examine the countenance of the gondolier, she saw
that his features were concealed beneath a mask that was so well
designed, as not to be perceptible to a casual observer by moonlight.
Though it was common on occasions for the servants of the great, it was
not usual for the public gondoliers to be disguised. The circumstance
itself was one justly to excite slight apprehension, though, on second
thoughts, Gelsomina saw no more in it than a return from some expedition
of pleasure, or some serenade perhaps, in which the caution of a lover
had compelled his followers to resort to this species of concealment.
"Shall I put you on the public quay, Signora," demanded the gondolier,"
or shall I see you to the gate of your own palace?"
The heart of Gelsomina beat high.


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