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Greg, Walter W., 1875-1959

"Pastoral Poetry and Pastoral Drama A Literary Inquiry, with Special Reference to the Pre-Restoration Stage in England"

(ib. 165.)
The last act, with its obligation to wind up such loose threads of action
as have been spun in the course of the play, is perhaps somewhat lacking
in passages of particular beauty, but it yields us Amarillis' prayer as
she flies from the Sullen Shepherd, and the final speech of the satyr.
However out of keeping with character the former of these may be, it is in
itself unsurpassed:
If there be
Ever a neighbour-brook or hollow tree,
Receive my body, close me up from lust
That follows at my heels! Be ever just,
Thou god of shepherds, Pan, for her dear sake
That loves the rivers' brinks, and still doth shake
In cold remembrance of thy quick pursuit;
Let me be made a reed, and, ever mute,
Nod to the waters' fall, whilst every blast
Sings through my slender leaves that I was chaste!
(V. iii. 79.)
Lastly, we have the satyr's farewell to Clorin:
Thou divinest, fairest, brightest,
Thou most powerful maid and whitest,
Thou most virtuous and most blessed,
Eyes of stars, and golden-tressed
Like Apollo; tell me, sweetest,
What new service now is meetest
For the satyr? Shall I stray
In the middle air, and stay
The sailing rack, or nimbly take
Hold by the moon, and gently make
Suit to the pale queen of night
For a beam to give thee light?
Shall I dive into the sea
And bring thee coral, making way
Through the rising waves that fall
In snowy fleeces? Dearest, shall
I catch thee wanton fawns, or flies
Whose woven wings the summer dyes
Of many colours? get thee fruit,
Or steal from heaven old Orpheus' lute?
All these I'll venture for, and more,
To do her service all these woods adore.


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