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Greg, Walter W., 1875-1959

"Pastoral Poetry and Pastoral Drama A Literary Inquiry, with Special Reference to the Pre-Restoration Stage in England"

Dafne expresses
her fear that the false report of Silvia's death may indeed prove the
death of Aminta. The nymph at first shows herself incredulous, but on
learning that he had already once sought death on her account she wavers
and owns to pity if not to love--
Oh potess' io
Con l' amor mio comprar la vita sua,
Anzi pur con la mia la vita sua,
S' egli e pur morto!
Hereupon Ergasto enters with the news that Aminta has thrown himself from
a cliff, and Silvia, now completely overcome, goes off with the intention
of dying on the body of her dead lover.
The shortness, as well as the dramatic weakness, of the fifth act is
conspicuous even in proportion to the modest limits of the whole. It runs
to less than one hundred and fifty lines, and merely relates how Aminta's
fall was broken, how Silvia's love awoke, and all ended happily. The most
significant passage, that namely which describes Aminta being called back
to life in Silvia's arms, has been already quoted. He revives unharmed,
and the lovers,
Alike in age, in generous birth alike
And mutual desires,
gather in love the fruits which they have sown in weeping.
It is worth while quoting the final chorus in witness of the spirit of
half bantering humour in which the whole was conceived even by the serious
Tasso, a spirit we unfortunately too often seek in vain among his
followers.


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