--Young folks look on a face as a unit; children who go to school with
any given little John Smith see in his name a distinctive appellation,
and in his features as special and definite an expression of his sole
individuality as if he were the first created of his race: As soon as we
are old enough to get the range of three or four generations well in
hand, and to take in large family histories, we never see an individual
in a face of any stock we know, but a mosaic copy of a pattern, with
fragmentary tints from this and that ancestor. The analysis of a face
into its ancestral elements requires that it should be examined in the
very earliest infancy, before it has lost that ancient and solemn look it
brings with it out of the past eternity; and again in that brief space
when Life, the mighty sculptor, has done his work, and Death, his silent
servant, lifts the veil and lets us look at the marble lines he has
wrought so faithfully; and lastly, while a painter who can seize all the
traits of a countenance is building it up, feature after feature, from
the slight outline to the finished portrait.
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